From Kasabian’s Serge Pizzorno to the Chemical Brothers and Azealia Banks, musicians remember the Prodigy frontman
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I discovered the Prodigy through Experience, back in 1992. There used to be a rave record store in Leicester called 5HQ – quite a frightening place, a bit like in Human Traffic. We used to hang around in there. I think they were playing Charly: I bought it, took it home and played it on my decks for days. It just didn’t really sound like anything else. There was a tribal quality to the beat. Somehow it was aggressive like punk – it had an edge that other things around the time didn’t. But it also had a pop sensibility. It really felt commercial even though it wasn’t. We were rave kids with the baggies and the t-shirts, but Keith was next level. He was always well dressed, a real one-off – you could see where everything came from but he had his twist on it. They’re the ones that last.
I think the first time we met him was at V festival. It’s always quite nerve-wracking when you meet someone you really admire. You think people are gonna be more mad, more like the person they were on stage, but he was gentle, sweet, encouraging. That was the beautiful thing – he was really interested in the music we were making. When we made the second record, he came down to the session and he was so supportive. We could see it was nice for him, maybe, to see through the eyes of someone going through it again. He’d been there and done it, and he saw these young kids doing the same thing. I’d always go and see them live, so I’d see him backstage, fleetingly, but it always felt like he had our backs, which was amazing, considering that it was him that made us wanna do it ourselves. I’m heartbroken, really. It stops you in your tracks.