In a radical reassessment of how the mind works, a leading behavioural scientist argues the idea of a deep inner life is an illusion. This is cause for celebration, he says, not despair
At the climax of Anna Karenina, the heroine throws herself under a train as it moves out of a station on the edge of Moscow. But did she really want to die? Had the ennui of Russian aristocratic life and the fear of losing her lover, Vronsky, become so intolerable that death seemed the only escape? Or was her final act mere capriciousness, a theatrical gesture of despair, not seriously imagined even moments before the opportunity arose?
We ask such questions, but can they possibly have answers? If Tolstoy says that Anna has dark hair, then Anna has dark hair. But if Tolstoy doesn’t tell us why Anna jumped to her death, then Anna’s motives are surely a void. We can attempt to fill this void with our own interpretations and debate their plausibility. But there is no hidden truth about what Anna really wanted, because, of course, Anna is a fictional character.