A BBC documentary airing this week will place the Ripper’s victims on a digital autopsy table table. It just shows how anaesthetised audiences have become to brutalised and raped women

We are all familiar with what the police officer sees when he enters the room; we have seen it more times than we care to recall – on TV, in films, in graphic novels, we have heard it described on podcasts. The place looks like an abattoir, but it is a woman’s bedroom. Blood is splashed on the walls and seeping into the drenched mattress. The room’s inhabitant, a sex worker known as Mary Jane Kelly, is lying prone, her body partially dismembered. Somehow, when the photographer arrives to take this now infamous picture, she still manages to appear coquettish. Her legs are splayed; her head is tipped ever-so-come-hithery to the side.

More than any of the other five canonical victims of Jack the Ripper, it is Kelly who has become the poster girl for these crimes. At 25, she was the youngest of the five women murdered between August and November 1888. Kelly, described as being attractive and overtly sexual (on account of her profession), is regarded as the most “popular” among Ripperologists – people (mostly men) for whom investigating the unsolved murders is a hobby. Kelly also happens to be the one most heinously murdered by the killer. Although we know the least about Kelly, the sickening image of her corpse, alongside the equally disturbing photos of the other four victims, continues to drum up interest.

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