Should a lone yachtswoman act when authorities tell her to sail away? Wolfgang Fischer’s drama steers into Europe’s migrant crisis with conviction

Our creatives continue to form more imaginative and compassionate responses to the issue of mass migration than our politicians. Like recent TV conscience-prickers Home and Don’t Forget the Driver, Austrian director Wolfgang Fischer’s quietly gripping second feature immerses us in the debate around freedom of movement.

Cinematically, it’s not unlike a clever rethink of JC Chandor’s All Is Lost; that terrific survival drama exerted a form of white privilege by having Robert Redford wrestle tempestuous seas on his lonesome, with no one else around to steal his thunder or closeups. Fischer and co-writer Ika Künzel float the notion there might be something more compelling and provocative in the sight of a struggling sailor encountering others in far worse conditions. For the earlier film’s collision of hulls, substitute a seismic and troubling collision of worlds.

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